Photos!

If you guys want me to email you any of these, lemme know!
~Anthem

Intro Anthem Salgado

Bio:
Anthem Salgado, a San Francisco Art Institute graduate, is a multi-disciplinary artist/educator. Salgado has performed spoken word throughout New York, San Francisco, Honolulu, and Manila, sharing billing with the legendary Last Poets, writer Jessica Hagedorn, and lyricist/beatboxer Radioactive of international music group Spearhead, among many others. He is published in anthology Field of Mirrors. Salgado has presented his solo-theater work at Asian Art Museum, Yerba Buena Center for the Arts, and Intersection for the Arts. Salgado is a board member of educators' network Mind Power Collective, and was awarded a Philippines Fulbright to further his skills as a teacher.

Interest:
Solo theater interests me most. I appreciate its ability to, sometimes all in one show, engage a wide range of forms and subjects: comedy, monologue, audience interaction, poetry, personal narrative, and/or social commentary. Additionally, solo theater sometimes can be produced independently. The flipside to these freedoms is the false sense that a one-man or -woman show requires solely the one artist to create it. It is still a theater show and as such, solo acts do benefit greatly, when the resources are available, from access to behind-the-scenes support: marketing, fundraising, lighting and sound design, but most importantly, work with a director and a dramaturge. Education-wise, the strength and weakness of any live art is its immediacy as well as its immediate impermanence. Text and video archives are seldom available. While there is a long history in the experimentation of solo theater, I wonder if there could be more ways structurally or otherwise to teach and learn it successfully.

In San Francisco from 6/28 - 7/1

In town for an exhbit at the SFMOMA. Let me know if you have something running or just want to meet up. You can e-mail me off blog at oanh@chancetheater.com.

- Oanh

David D. Mitchell Bio and Artistic Statement

BIO

David D. Mitchell, Managing Director of Run of the Mill Theater, Baltimore MD, is an actor, writer, and administrator, returned to Baltimore after working with both The Actors Studio and The Neighborhood Playhouse in New York. He received an M.F.A. from the Actors Studio at The New School for Social Research, working with master teachers Barbara Poitier, Gene Lasko, Susan Aston, and Arthur Penn. While at The Neighborhood Playhouse, he worked with Harold G. Baldridge, Beverly Sugarman, and Lawrence Feeney. He has been involved with numerous arts education organizations (City Lights, LEAP). David is a graduate of Morgan State University and holds a B.A. in Theater. He currently teaches at Morgan. Plays directed: Black Nativity by Langston Hughes, Les Blanc by Lorraine Hansberry, The Great MacDaddy by Paul Carter Harrison, Sizwe Banzi is Dead by Athol Fugard, Blood Wedding by Federico Garcia Lorca and several short plays featured in RotM's Annual Variations Project (Read about it @ www.runofthemilltheater.org)

Describe the type of theater you would like to create and/or support and sustain. The point of the statement is to give other theater professionals a sense of where your specific theatrical interests and concerns lie.

Run of the Mill Theater is dedicated to providing innovative programming of new and under-produced plays, creating opportunities for professional and aspiring artists to collaborate, and fostering cultural diversity. The organization supports and encourages new artists in their continued development by providing a safe and structured environment for learning and the exploration of new ideas. Run of the Mill Theater consistently provides space for emerging artists and arts organizations by creating collaborative community based projects.

My goal, as an arts administrator, is to create and maintain a safe environment for artists of any age, gender, sexual orientation, or ethnicity. I accomplish this by creating long-term, process-oriented projects that yield more than a final performance. I’m interested in theater that develops thinking skills, social skills, and personal skills. I’m producing theater that encourages creativity and collaboration by providing a nurturing and supportive environment in which actor/students learn the fundamentals of playwriting, acting, directing, and theater protocol.

Artistic Statement:

I've been a facilitator and major "catalyst" in bringing together diverse segments of the performing arts community in Baltimore. I've initiated working relationships among students from Morgan Stae University, Towson State University, UMBC and Loyola College who generally have not worked together previously. This has been accomplished through various productions and an increased number of staged readings that provide opportunities for younger theater students of varying backgrounds to work alongside more experienced professionals. I've created opportunities for emerging arts organizations from diverse segments of the Baltimore performing arts community to work together on projects.

As the head administrator I've built upon RotM's initiative to explore work of Hispanic and Latino playwrights, assisting with RotM's production of Icarus by Edwin Sanchez to directing a production of Federico Garcia Lorca's Blood Wedding. When creating collaborative projects or in-house programming, I've successfully avoided gender and racial stereotyping. I've had the opportunity to work will several other Art Education groups in Baltimore as the lead theater consultant (BELL-Building Educated Leaders for Life, Young Audiences of Maryland, and Bright Starts). I’ve worked in the classroom and at community centers. My experience has led me to believe the only approach to effective arts programming in Baltimore is an aggressive team oriented approach.

Finally, I've fostered the development of Run of the Mill from an emerging theater of young talented, predominantly white actors to include a wider range of age and cultural backgrounds. Our casting over the past two years has expanded to include Hispanic, Asian, Indian, African-American, and even French-Canadian actors. Our playwrights are becoming more diverse and exploring themes that reflect greater consciousness of community issues and cross-cultural relationships.

Shoot me an email... and let's collaborate!

David D. Mitchell
Managing Director
(and interim AD)
443-885-3670
_______________________________
Run of the Mill Theater
"It's anything but!"
PO Box 38770
Baltimore MD 21231
www.runofthemilltheater.org

Photo slideshow

Words of wisdom

...as delivered by Emilya:

Purpose is the question
through which your life
may be the answer

Claudia Alick Bio and Art Statement

BIO

Claudia Alick, Associate Producer, Community
Artistic Office Producer, Fences, Coriolanus
At OSF: producer of OSF Hip-hop Boot Camp (2007), curates and produces The Green Show, nexthetics play development, and serves as the artistic office liaison to the education department and the community at large. Other credits: artistic director of Smokin’ Word Productions, author and director of plays that have been seen at The Kennedy Center, Woolly Mammoth Theatre Company, LaMama E.T.C., Cherry Lane Theater, and the Hip Hop Theatre Festival; member of the NY Neofuturists; teacher of writing, performance, and professional development workshops nationwide, performer on HBO’s Def Poetry Jam. Awards: Fresh Fruit Festival best director (2006), DUTF Audience Award (2005) myspace.com/claudiaalick

Describe the type of theater you would like to create and/or support and sustain. The point of the statement is to give other theater professionals a sense of where your specific theatrical interests and concerns lie. You may approach and phrase your description however you'd like.

My personal aesthetic is based in hip-hop, language, and multi-media work. I love experimental narrative and theatricality. I love the danger of autobiography. I love rough theater. I love making magic happen on a stage using nothing but a cardboard box and a beatboxer. I love bricolage, sampling, non-linearity, humor, risk. I think theater is political and should embrace its power. I think theater should address difficult issues and allow us to understand them more deeply. I think theater should entertain. I believe in catharsis. I believe in expanding our definition of theater to include non-traditional spaces, performers, audiences, and ways of communicating.

Welcome Young Leaders of Color!

We were brought together by a Cummings Grant and TCG for the annual TCG Conference and NPAC in Denver of 2008. Dynamic relationships were created and a few great ideas were birthed. This blog is a tool for us to stay in touch, explore ideas in depth, create action plans, and connect to the greater community. We are the face of performance. Hear what we got to say.

peace ad poetry
Claudia Alick
associate producer, community
Oregon Shakespeare Festival